The entry to a spacious 1920’s apartment, a renovation design led by Karen Lilly Mozer.
Furnishings:
Kintla Bench, from Holly Hunt, upholstered in Misia James Bleu fabric from Lucid Collections
3(x2) Diablos Custom Console Table- Karen Mozer & Jordan Mozer/Mozer Studios
Lighting:
Loire Large Chandelier, from Visual Comfort & Co
Fine Art
South wall:
“Water Memory” by Cara Romero. 2015. Archival photograph.
Purchased directly from artist.
West wall:
Left: “Smile in Her Heart” by Anne Siems. Oil painting.
Right: “Esperanza Onantemete Firme” by Faby. Purchased in Argentina in 2003. Oil painting.
North wall:
Donald Batchelor. 2014. Mixed Media
East wall:
“Distant Lover” by Tiffany Alfonseca. 2021. Oil Painting.
Photo by Tom Rossiter
Yardbird Riff
Carved in reinforced plaster
Cast in 94% recycled red bronze
Hand polished
Bathed in elixirs and flames
Mounted on copper
If you’re interested in joining Iz and I for life drawing at our studio please send a message with your email
Through the Looking Glass… Another composition by Karen.
Here’s a corner composition in a recent Karen Lilly Mozer residential design.
Karen loves cooking, design and community. She throws good parties.
In intuitive trace, she composes guest lists of strangers or cooks up a menu of this & that.
At the party she’ll mingle about, making introductions to seed conversations that often blossom into friendships…
She designs in a parallel waking dream of space, materials, light, objects and art, at the end of which she’s discovered special relationships between the design ingredients.
Fashion / design thinking: a department store crossbred with our casino work with Steve Wynn and Homer’s “Odysseus” : a 440,000 prototype with 44 different personality zones near Düsseldorf…
#storedesign #designthinking #shoppingadventure #design #architecture #productdesign
This is the last weekend to see DePaul Art Museum’s exhibition “Edgar Miller: Anti Modern” which examines the past and points towards the future.
Edgar Miller’s multiunit artist studios, the Glasner House and Carl Street Studios, endowed each resident with an entirely unique space appointed with idiosyncratic details, warmth and humanity, spaces which are in sharp contrast to sleek Modernist office towers with minimal interiors composed with construction and furnishing systems.
Office attendance in the US hovers at about half of what it was at the beginning of the 2020 Pandemic, a forceful rejection.
Perhaps Edgar’s approach to live/work space is the future of the office.
A Doug Snower photo of Karen Lilly Mozer’s a Glasner Studio home office
#officedesign #contemporarydesign #handmadedesign #officearchitecture #returntotheoffice
